Since it was conceived as a travelling exhibition, the show had to be designed so it could easily be assembled, dismantled, stored and shipped several times. It is conceived to be suitable for museum spaces of many shapes and sizes, and is accompanied by a detailed manual for every installation element. Lastly, due to the ongoing research in the field, it was designed to grow at further venues. 

For each of the four acts, Nathalie Opris developed a unique aesthetic, citing the spirit of the respective period through the use of colour, shape and lighting. The first chapter, showcasing designs from the 19th century until 1920, incorporates a cool, industrial look with black and white podiums and a large-scale media installation showcasing the suffragette movement.The second room is metaphorically dominated by the patriarchal spirit of the Modernist period through the use of a blue paint color (4320N bleu céruléen 59) from the Le Corbusier collection on the central podium. The focus, however, remains clearly on female practitioners: the room showcases outstanding pieces of furniture by Modernist female designers including from the Bauhaus and is accompanied by a large, round projection – metaphorically rising at the horizon – with material by Charlotte Perriand, Aino Aalto and others.

The third space, covering the second wave of feminism from the 1950s to the 1980s, uses large surfaces in hot pink and neon red, symbolizing the emancipation and extravagance of the period. As a nod to the increasingly outspoken feminist discourse in the rapidly changing media, specific pieces are boldly spotlighted. In the fourth and final space, the present and third wave of feminism and its adjacent design protagonists take the stage. The biomorphically-shaped, overlapping podiums symbolize a diversification of design disciplines and the growth of a community differentiating itself from traditional understandings of design. The use of greens and blues stand for nature, intuition, technology and collectivism and form a fresh and immersive backdrop for the topics debated in the space.